Samyukta Ranganathan

Guest Lecturer, Performer-Scholar and Workshop Leader in Indian Classical Voice

Samyukta is a performer-scholar, voice pedagogue, and Indian classical vocalist whose work integrates performance, pedagogy, and research. She holds a Master’s degree in Voice Pedagogy with distinction and is currently pursuing doctoral research in Music Education at University College London’s Institute of Education (UCL IoE). Her practice spans Indian classical vocal traditions, vocal acoustics, motor learning theory, and cross-training methodologies for singers.

A central focus of her work is the decolonisation of voice education. She critically examines how Eurocentric vocal norms have shaped dominant pedagogical models, often marginalising non-Western vocal systems, and offers culturally grounded, analytically rigorous alternatives that are accessible and transferable across genres. Her lecture-recitals and workshops combine live performance, empirical analysis, and pedagogical demonstration, allowing participants to engage both intellectually and practically.

Samyukta has delivered guest lectures, lecture-recitals, and professional development workshops at universities and conservatoires, including New York University, Tu Experiencia Broadway, and AOTOS. She has presented at international conferences such as PeVOC, VASTA, and ICVT and has been published in Voice and Speech Review, Australian Voice, and Music and Arts in Action. Alongside her academic work, she maintains an active performance and private teaching practice, supporting singers and educators in developing sustainable, research-informed, and culturally responsive vocal technique.

Areas of Expertise

Indian Classical Vocal Technique (Carnatic & Hindustani)

Applying Resonance Strategies and Motor-Learning for Skill Acquisition in the Indian Classical Music Context

Decolonising Voice Pedagogy

An exploration of how vocal pedagogy has been shaped by Eurocentric assumptions, and how to challenge ideas of “neutral” or “universal” technique.

Cross-training across Musical Traditions

Integrating vocal techniques from diverse musical traditions to build transferable skills, resilience, and versatility for singers across genres

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Sample Speaking Engagements

Guest Lecture on Indian Classical Vocal Traditions

NYU (March 2026)

Comparing Hindustani and Carnatic vocal traditions
This lecture examined technical and stylistic differences between North and South Indian classical traditions. Samyukta conducted a side-by-side comparison and provided sociocultural and pedagogical insights for students at Steinhardt, NYU. This guest speaking engagement was part of the Asian Studies course run by Professor Rebecca Kim.

Workshop introducing Indian Classical Singing

Tu Experiencia Broadway (June 2025; January 2026)

Voicing Ragas: A Journey Through South Indian Music
An immersive workshop designed for non-Indian singers, combining performance, analysis, and guided listening. Samyukta presented South Indian classical music through practical demonstrations of pitch, timbre, and ornamentation, highlighting cross-cultural applicability and motor learning strategies. Participants engaged in embodied exercises to experience the Carnatic vocal tradition.

Keynote Address on Indian Classical Vocal Ornamentation

AOTOS (July 2025)

Ornamentation in Carnatic Music
Samyukta introduced Carnatic music through the lens of ornamentation (gamakas). After providing a glossary of terms, she explored Carnatic improvisation. Using live spectrograms, she demonstrated the visual shapes of gamakas and explained how biofeedback and laryngeal biomechanics inform teaching complex ornamentation. The audience participated in call-and-response exercises, illustrating mimetic learning central to Carnatic practice. The session prompted reflection on cross-cultural pedagogical strategies.

Who this is for

Universities and conservatoires

Voice teachers and pedagogues

Performers across genres

Institutions seeking culturally responsive pedagogical frameworks

Conference addresses

Talk Formats

Guest Lectures

Interactive Workshops

Lecture-Recitals

Consultancies

Short-Term Residencies

"What was especially interesting was that she used a spectrogram displayed on the screen behind her, allowing the audience to see the different shapes of the gamakas...This unique way of integrating technology, laryngeal biomechanics and motor-learning principles with the oral tradition helped us not only learn about different, non-Western musical styles and pedagogy, but also provided much food for thought and reflection on our own traditional methods.”

Jenna Brown, Chair-Elect of AOTOS

Let’s Work Together

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